Music for film, television, and studio recordings, with symphonic work performed across North, Central, and South America.
Juno and Gemini award nominee Richard Fortin is an accomplished composer, arranger, and producer whose work encompasses a broad spectrum of musical production that includes television, films, and studio recordings.
Richard Fortin wrote music for Alliance Atlantis and is also the recipient of two Gold albums from Sony and Universal, as well as four awards from the U.S. for his music for films. His symphonic works have been performed in South, Central, and North America. He has worked with internationally acclaimed musicians such as Michael Kamen, David Gilmour of Pink Floyd, Chet Atkins, Zamfir, Ray Cooper (percussionist for Madonna), and Alex Lifeson (Rush). He also worked on the album "Persona," featuring Eric Clapton and Yo-Yo Ma.
Among others, Richard Fortin produced 5-time Juno award winner Liona Boyd (Camino Latino), Patricia O'Callaghan, and Elaine Overholt, who was vocal trainer for Richard Gere and Renée Zellweger in "Chicago." Liona Boyd has recorded some of his music on her albums: Persona, Encore, The Spanish Guitar, Dancing on the Edge, and Camino Latino, on which his music was performed by prestigious guitarists Steve Morse of Deep Purple and the legendary Al DiMeola.
"The highlight of the evening turned out to be three pieces by composer Richard Fortin. The first one, 'The Capricious Bird,' was full of delightful programmatic effects."
Gaynor Jones, Calgary Star"This music was brilliantly clever, with a flavor of impressionism, but quite virtuosic, real display pieces for Liona Boyd and the guitar."
The Murray Ledger & Times"Fortin's Concerto is a pictorial pastiche of South American imagery and mood, wonderfully atmospheric. His orchestration required the PSO to sound, by turns, like a jaunty ensemble of Andean flutes, pipes and strummed instruments; a Latin percussion band; and a sumptuous, full-bodied symphony."
Cheryl North, San Mateo County Times"The concerto proved to be a colorful, dramatic and evocative work that was a joy to hear from first note to last. There are also sumptuous passages of tone-painting that ravish the ear."
William R. Trotter, Greensboro News and Record"His work was full of heart-felt melodies and dance rhythms and utilized the richest and lushest orchestral palette since Ottorino Respighi. From start to finish this concerto brimmed with lyrical melodies, gorgeous atmospheric effects, and infectious rhythms."
Seth Williamson, Roanoke Times & World News